河西走廊的影像使者:李睿珺的家园意象与影像哲思

The Image Messenger of Hexi Corridor:Li Ruijun's Image of Home and the Philosophical Reflections of His Films

中国80后独立导演李睿珺创作的“土地三部曲”系列以及《路过未来》《隐入尘烟》等电影,始终以甘肃河西走廊张掖作为故事的原点,用现实主义的笔触描绘着中国西北农村老百姓的乡土世界,关注工业浪潮席卷下个体命运的沉浮,从现代性视角切入展开对当代中国乡土的银幕书写,呈现出浓郁的家园意识、困境反思,又在影像中产生一种文化性与哲学思辨,整体上彰显出李睿珺强烈的“作者性”。

The Land Trilogy series created by Chinese independent director Li Ruijun,born in the 1980s,as well as other films such as Walking past the Future and Return to Dust,have always taken Zhangye in the Hexi Corridor of Gansu Province as the starting point of the story.With a realistic touch,they depict the rural world of the people in northwest China,showing concern to the ups and downs of individual fate under the industrial wave.From a modern perspective,they write about contemporary Chinese rural areas on the screen,presenting a strong sense of home and land fables,and reflections on plights.In addition,they generate a cultural and philosophical speculation in the images,highlighting Li Ruijun's strong"authorship"as a whole.