摘要
陕西文学继承了中国文学抒情传统,生发出饱含秦人赳赳之势的抒情传统。新生代陕西作家范墩子以原乡、中国式现代化作为抒情焦点,以抒情话语、反抒情话语、乡土魔幻现实话语介入小说抒情抵牾,以丰富的阅读经验与写作实践,孤独、忧郁与冒险的个人气质建构抒情矩阵,为新生代陕西作家开拓了可能的抒情进路。
Shaanxi literature has inherited the lyrical tradition of Chinese literature and created a lyrical tradition full of the Qin people’s gallantry.Fan Dunzi,a new generation of Shaanxi literary writ-ers,intervenes in the lyrical contradiction of the novel with lyrical discourse,anti-lyrical discourse and rural magic reality discourse.He takes the original countryside and Chinese modernization as the focus of his lyricism,and constructs a lyric matrix with his rich reading experience and writing practice,and his personal temperament of loneliness,melancholy and adventure,which provides a possible way to open up the path of lyricism for the new generation of Shaanxi writers in literature.
作者
王淼
WANG Miao(School of Chinese Language and Literature,Nankai University,Tianjin 300071,China)
出处
《咸阳师范学院学报》
2024年第3期99-102,共4页
Journal of Xianyang Normal University
基金
湖北省教育厅哲学社会科学研究专项基金项目(22Z048)
湖北省大学生思想政治教育评价中心2022专项课题(2022YB006)。
关键词
范墩子
原乡
中国式现代化
抒情抵牾
乡土魔幻现实话语
Fan Dunzi
original homeland
Chinese-style modernization
lyrical contradiction
ru-ral magic realistic discourse