摘要
马识途有革命家与文学家两个写作身份,这使其创作呈现出正剧与谐剧两种风格,在不同时代也带来不同的接受隔阅。“夜谭”系列真正树立起文学家的艺术自觉,体现出“独一味”的文学品质。“夜谭”文学讲述形式自由开放,在故事一讲故事一听故事、讲述者一听书人一故事中人、故事逻辑一剧场现场逻辑一社会生活逻辑三线发力、三线共振,构成一个召唤性共语场,形成书场效应。马识途的俗文学观建立在生活土壤、人民美学、艺术传承自信三大基础上,他的“夜谭”文学表现出丰富民族化、大众化艺术经验的努力。重估马识途文学创作的民族化道路实践,反思雅俗文学融合之意义,对于探究当代文学发展道路和扩展文学史书写格局具有重要意义。
Ma Shitu's dual identity as a revolutionary and literati has given rise to two distinct styles in his works:serious drama and humorous drama.These styles have encountered different levels of acceptance across different eras.The"night tale'series establishes the true artistic consciousness of the literati and reflects its unique literary quality."Night tale"literature is characterized by a free and open narrative style,which resonates powerfully across three dimensions:the story-the storytellingthe listening,the narrator-the audience-the characters within the story,and the logic of the story-the logic of the theatrical scene-the logic of social life.These three strands work in concert to create a summoning common language field,generating a"theater effect."Ma Shitu's view on popular literature is grounded in three major pillars:the soil of life,the aesthetic principles of the people,and confidence in the continuity of artistic traditions.His"night tale"literature exemplifies his dedication to enriching the national and popular artistic experience.Reassessing Ma's path to nationalizing literary creation and reconsidering the implications of integrating refined and popular literature will greatly contribute to the exploration of contemporary literary development and expanding the pattern of literary history writing.
出处
《中国社会科学》
CSSCI
北大核心
2024年第5期141-155,207,共16页
Social Sciences in China