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简·奥斯汀小说中的风景抒写

Scenery Description in Jane Austen's Novels
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摘要 风景成为艺术的过程,就是观察者作为主体对于客体的风景进行审视、构造、抒写的过程。在奥斯汀的小说中,风景被构造成艺术的过程受到了诸多因素的影响,与此同时,读者在阅读奥斯汀作品时又对其中的风景进行了二次构造,由此形成了读者心目中独特的“奥斯汀”式的风景,从而成就了奥斯汀小说经久不衰的神话,成为奥斯汀小说历久弥新的奥秘之一。 The process of scenery becoming art is the process in which the observer as the subject examines,constructs,and expresses the scenery of the object.In Austin's novels,the process of constructing scenery into art has been affected by many factors.At the same time,readers re-structure the scenery when reading Austin's works,thus the unique"Austin"scenery is formed in the readers'minds.This has contributed to the enduring myth of Austin's novels and has become one of mysteries why Austin's novels are so popular.
作者 薛爱兰 张艳威 Xue Ailan;Zhang Yanwei(Shanxi Pharmaceutical Vocational College,Taiyuan 030031,China;Harbin University,Harbin 150086,China)
出处 《河北能源职业技术学院学报》 2024年第2期34-37,共4页 Journal of Hebei Energy College of Vocation and Technology
基金 山西省教育科学“十三五”规划2020年度外语教育专项课题“‘互联网+’背景下高职院校英语课程中美育融入研究”(WYG-20010)。
关键词 风景 抒写 奥斯汀小说 scenery description Austin's novels
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  • 1周泽东.论“如画性”与自然审美[J].贵州社会科学,2007(5):134-138. 被引量:3
  • 2玛吉·莱恩.《简·奥斯汀的世界--英国最受欢迎的作家的生活和时代》,郭静译,海南出版社,2004年,第157页.
  • 3A. Walton Litz, "The Picturesque in Pride and Prejudice", in Persuasions, 13 (1979), pp. 15 -24.
  • 4Edward Copeland and Juliet Mcmaster, eds. , The Cambridge Companion to Jane Auaten, Cambridge: Cambridge University Press, 1997, pp. 32 -57.
  • 5Barbara Britton Wenner, Prospect and Refuge in the Landscape of Jane Austen , Burlington: Ashgate Publishing Company, 2006, p. 5.
  • 6Henry Austen, "Biographical Notice of the Author", in Susan Fraiman, ed., Northanger Abbey, New York:W. W. Norton MYM Company, Inc. , 2004, p. 194.
  • 7John McAleer, " What a Biographer Can Learn about Jane Austen from Her Juvenilia", in J. David Grey, ed. , Jane Austen's Beginnings: The Juvenilia and Lady Susan, Arm Arbor/London: U. M. I Research Press, 1989, p. 9.
  • 8Observations on the River Wye and several parta of South Wales, etc. relative chiefly to Picturesque Beauty;made in the summer of the year 1770.
  • 9Observations on the Western Parts of England, etc. relative chiefly to Picturesque Beauty; to which are added, A Few Remarks on the Picturesque Beauties of the Isle of Wight.
  • 10Christopher Gillie, A Preface to Austen, Peking : Peking University Press, 2005, p. 91.

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