摘要
氛围是在当代建筑理论和实践中频繁出现的一个概念,其提出源自对现代主义中形式几何理性空间的情感回应。本文拟回溯“氛围”作为一个新现象学概念的提出,及其在建筑学话语与实践中的发展,指出这一概念具有气象学与美学两重辩证的属性,从具身情感和环境调控两条线索切入,揭示制造氛围的潜力以及建立技术时代情感复魅的可能图景。
Atmosphere is a concept frequently emerges in contemporary architectural theory and practice,originating from an emotional response to the geometric rationality of modern architecture.This article aims to proposes to revisit the introduction of“atmosphere”as a new phenomenological concept and its evolution within the architectural discourse and practice.The concept possesses a dual dialectical nature,intertwined with both meteorology and aesthetics.By exploring two main thread,the embodied emotion and the environmental regulation,it identifies the potential for making atmosphere and envisions a possible scenario for the re-enchantment of emotions in the technological age.
作者
毕敬媛
吴皎
BI Jingyuan;WU Jiao
出处
《建筑师》
2024年第3期31-40,共10页
The Architect
基金
国家自然科学基金面上项目:上海城市空间重塑中本土建筑设计生产转型研究(1990—2002)(No.52078339)。
关键词
氛围
新现象学
具身情感
环境调控
空间媒介
Atmosphere
Neo-phenomenology
Embodied emotion
Regulated Environment
Spatial media