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谢默斯·希尼早期诗歌景观书写研究

A Study on the Landscape Writing in Seamus Heaney’s Early Poetry
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摘要 希尼的早期诗歌描写了自然景观、劳作景观以及地名诗景观。这些景观不仅仅是诗人对家乡故土怀旧式的描写,还承载了历史、政治和文化意义,表达了希尼对北爱尔兰故乡和爱尔兰传统既继承又疏离的双重矛盾态度,构建了多元身份,超越了“北爱尔兰天主教农民家庭成员”这一客观身份对诗歌创作的限制,进入一个包含不同文化和意识形态且有利于诗歌创作的想象空间。 In early poetry of Seamus Heaney,landscape is presented in the forms of landscape of natural ecology,farm practices and place-names.The landscape description is not only a way of nostalgia for the disappearing Irish natural scenes,but also contributes to deal with writer’s relationship with homeland and home culture,expressing his ambivalent feeling of being allied as well as alienated toward native traditional culture.Meanwhile,the landscape description is a poetic transcendence as well as a retreat for Heaney to reconcile conflicts and helps to keep a proper balance between artistic freedom and social responsibility.
作者 和耀荣 HE Yao-rong(School of Foreign Languages&Literature,Yunnan Normal University,Kunming Yunnan 650500,China)
出处 《齐齐哈尔大学学报(哲学社会科学版)》 2024年第6期96-99,共4页 Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词 谢默斯·希尼 早期诗歌 景观书写 Seamus Heaney early poetry landscape inherit alienation

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