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怀旧的魅影:《浪的景观》与我们所处的时代

The Phantom of Nostalgia:The Landscape of Waves and Our Time
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摘要 以《浪的景观》为讨论对象,以“怀旧”为主要话题,读者、作者和书中人物之间兴起了一桩有趣的阐释事件。作为这起阐释事件的漩涡中心,读者自发地编织了一场世纪之交的美梦,而穿越美梦的迷障,我们不仅可以更加清晰地触碰到当下社会的脉搏,还能在过去与现在的辩证中提炼出更具现实效力的历史观。在这次观察者的集体会议中,我们发现不同的主体都已努力地参与到时代记忆的建构之中,微观的经验正在不断积蓄着汇集为精神长篇的有生力量。正是在此基础之上,《浪的景观》及其所引发的文化现象便可被视为一种警示,一方面,它不断地引导着我们发掘“怀旧”的有益面向;另一方面,它又提醒我们时刻回归自身,反思我们应有的生活。 It will be an interesting interpretive event between readers,authors and characters if we read The Landscape of Waves and focus on its theme of"nostalgia".We find that during the interpretation,readers spontaneously weave a dream at the turn of the century through which we can not only touch the pulse of the current society more clearly,but also extract a more realistic and effective view of history in the dialectic between the past and the present.Different subjects have been involved in the construction of the era's memory,and micro experiences are constantly accumulating the vital power to converge into a spiritual novel.It is on this basis that The Landscape of Waves and the cultural phenomenon it triggers can be regarded as a warning.On the one hand,it constantly leads us to explore the beneficial aspects of"nostalgia";on the other hand,it reminds us to return to ourselves and reflect on the life we should have.
作者 王文宇
机构地区 浙江大学
出处 《上海文化》 CSSCI 2024年第6期61-68,共8页 Shanghai Culture
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