古典主义与现代主义的融会创造——郝御风新诗谫论

The Fusion and Creation of Classicism and Modernism:Hao Yufeng’s New Poetry Theory

郝御风是20世纪30年代北平“前线诗人”的代表,也是文名籍籍的“清华三诗人”之一。他“埋头诗国”,在凋亡的现实与寂寞的时代面前,希求文艺不再躲避,而是抓住社会核心,带来“新空气”,发出“新呼声”,完成对新文学“努力创造的义务”。他以新的角度和眼光将中国古典诗歌美学与现代主义诗歌化合,达到真实且独具个人风格的“诗的世界”。他的现代新诗,善于从日常生活中发现诗情,将意象放在灵魂位置暗示情绪与哲思,使得再深再强的诗情也有了具体可感的依托。在强烈的自觉继承与创新意识下,他以“本土”的立场自觉融合“外来”思潮,肩负起创造新诗的重任,在“古人”及“外人”之间不断穿行、偏移、寻找和吸纳,每一次在“民族性”与“现代性”中的沉思与仰视,都深切关系着个人与国家的命运走向。

Hao Yufeng is a representative of the“front-line poets”in Beiping in the 1930s,and he is also one of the“three poets of Tsinghua University”.In the face of the reality of death and the era of loneliness,he hoped that literature and art would no longer evade,but grasp the core of society,bring“new air”,issue“new voice”,and complete the“obligation to create hard”for new literature.With a new perspective and vision,he combined the aesthetics of Chinese classical poetry and modernist poetry to achieve a real and unique“poetic world”.His new modern poetry is good at discovering poetic sentiment from daily life,and puts the image in the soul position to suggest emotion and philosophy,which provides concrete and sensible support for the deep and strong poetic sentiment.Under the strong consciousness of inheritance and innovation,he consciously integrated the“foreign”trend of thought from the standpoint of“local”,shouldered the responsibility of creating new poetry,and constantly crossed,deviated,sought and absorbed between“ancient people”and“outsiders”.Every meditation and look up in“nationality”and“modernity”is deeply related to the fate of individuals and countries.