论译者的“有形可见”

On the Translator’s“Visibility”

文章对历史上的译者角色从“隐形”到“显形”的嬗变过程进行描述,继而提出“有形可见”的说法,阐释其内涵,并阐明其与韦努蒂“有形可见”观点的区别,然后进一步论述译者“有形”而“可见”的观点,认为翻译总是译者能动的创造性行为。译作反映着译者的才识与能力,总会在一定程度上是译者的“有形投射”。

This paper delineates the evolution process of the translator’s image from being“invisible”to“visible”,and subsequently proposes the concept of the translator’s“visibility”,explicating its connotation,and distinguishing it from Venuti’s concept on“visibility”.It further expounds the view of translator’s“visibility”,asserting that translation is inherently an active and creative endeavor by the translator.Translations reflect the translator’s knowledge and abilities,inevitably serving as a visible projection of the translator to a certain extent.