非虚构写作的经验、方法与其他——丁燕访谈

Experience,Methods and Other Topics about Nonfiction Writing——An Interview with Ding Yan

丁燕是中国当代“70后”代表作家之一。在访谈中,她从自己的文学之路开始谈起。丁燕早期主要创作诗歌和小说,2010年离开新疆,迁到广东生活,创作了《工厂女孩》《工厂男孩》等有代表性的非虚构作品。她认为作家不应自我设限,虚构与非虚构之间虽有界限,但可以相互借鉴学习。中国的非虚构写作才刚刚开始,还有很多可以拓展的领域。从访谈中可以清晰地看到丁燕的成长之路、写作习惯、写作经验,以及她对非虚构写作的理解和思考。

Ding Yan is one of the representative writers of the“post-70s”in China.During the interview,she started from her own literary road.In the early days,she mainly created poetry and novels.In 2010,Ding Yan left Xinjiang and moved to Guangdong.Here she created two representative nonfiction works such as“Factory Girl”and“Factory Boys”.She believes that the writer should not have a limit on nim or herself.Although there is a boundary between fiction and nonfiction,they can learn from each other.China’s nonfiction writing has just begun,and there are still many areas that can be expanded.From the interview,we can clearly see the growth of the writer,her writing habits,her writing experience,and her understanding and thinking about nonfiction writing.