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“艺术化的即兴”——华彩段的姿态与文本化

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摘要 西方音乐术语中的华彩(cadenza)既泛指任何出现在乐段终止式上的炫技装饰句或小段落,也特指古典协奏曲中特定的结构段。[1]它产生于意大利声乐演唱并在18世纪初被意大利作曲家、小提琴家科雷利引入器乐领域,至18世纪下半叶,创作华彩被视为所有希望满足听众期待的炫技大师不可或缺的能力,[2]由独奏声部即兴创作并单独表演的炫技段落也成为了协奏曲中的次级结构。
作者 赖菁菁
出处 《音乐生活》 2024年第5期42-46,共5页 Music Life
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