西藏传统音乐美学思想之“圆满”浅论

Preliminary Discussion of“Perfection”Thought in Tibetan Traditional Aesthetics

音乐美学作为音乐学的基础学科之一,其学科特点在于哲学思辨。因此,在对音乐本体进行美学角度分析时,哲学思辨的过程必不可少。当前学术界关于以美学视角分析我国传统音乐的相关研究成果为数众多,本文基于前人的研究成果,就藏传佛教哲学观进行进一步探讨的同时,针对哲学观“圆”一字,得出“圆满”一说,进而将其与西藏传统音乐理论相结合,并最终得出音乐之中的“圆满”美学,此外,多数人将其视为同国外基督教一般“有神论”的宗教,当然其中的唯心主义思想在此不予以考虑,以期能够更深刻感知寓于西藏传统音乐中的藏传佛教哲学观。

As one of the primary disciplines in musicology,musical aesthetics has been characterized by dialectics.Thus,dialectics is indispensable when analyzing music from an aesthetic perspective.Current Chinese traditional music academic achievements are widely studied from an aesthetic viewpoint,and this paper will build upon that existing academic achievement and further discuss Buddhist philosophy.At the same time,this paper aims to connect the“perfection”thought and traditional Tibetan music and to theorize“perfection”as an aesthetic.Moreover,some people compared it with“theism”in Christianity.This paper will not consider the idealistic aspect of it but rather profoundly capture Tibetan Buddhist philosophy in Tibetan traditional music.