论香堆阿吉拉姆的历史与表演

Research on the History and Performance of Qamdün Ache Lhamo

香堆阿吉拉姆是流行于昌都察雅县的阿吉拉姆表演团体,是昌都藏戏十分重要的组成部分。文章通过对香堆阿吉拉姆的历史与表演进行研究,认为香堆阿吉拉姆起源于20世纪初,其表演形态承袭早期觉木隆派表演风格。表演程式与阿吉拉姆系统中其他流派无异,但其表演上形成了“戏师主导”“一剧一调”“戏师主唱”的特殊表演形态。通过对其表演风格的部分总结可知阿吉拉姆作为一种具有仪式特征的戏曲形态,在跨区域流布发展过程中,其功能性仍会在所在社区中继续保留,而其艺术技巧层面则与当地社区文化产生融合。

Qamdün Ache Lhamo is a popular performance group in Chaya County of Chamdo,and it is also an essential component of Chamdo Tibetan opera.This article studies the history and performance of Qamdün Ache Lhamo and argues that Qamdün Ache Lhamo originated in the early 20th century,and its performance style inherits the early sKyor mo lung style.Its program is no different from other genres in the Ache Lhamo system,but it forms a special performance form of“Master-led,”“one drama,one tune,”and“Mater-led singing”fo r performance.Through a partial summary of its performance style,it can be concluded that Ache Lhamo,as a theatrical form with ceremonial characteristics,will continue to retain its functionality in the local community during its cross-regional development,while its artistic skills will be integrated with the local community culture.