记忆、书写与想象:内蒙古百年话剧中的民族交融研究

Memory,Writing and Imagination:A Study on the Ethnic Integration in Inner Mongolia’s Centennial Drama

内蒙古话剧是中国话剧史的重要组成部分,自1920年内蒙古话剧创立之日起,一百年间,以其独树一帜的民族特色、别具一格的艺术想象、极具风情的边疆书写在中国话剧史上留下了浓墨重彩的一笔。从20世纪50年代的《金鹰》,到80年代的《黑骏马》,再至新世纪的《拓跋鲜卑》《国家的孩子》《尹湛纳希》等,内蒙古话剧创作者以独特的审美特质接轨中国共产党的民族政策,推动民族交融进程,铸牢中华民族共同体意识,参与并重塑了生活在辽阔北疆大地上的人们的民族记忆,向中国及整个世界展示了内蒙古开阔、热烈、动人的民族气质及民族形象。

As an important part of Chinese drama and Chinese ethnic minority drama,Inner Mongolia drama has made significant contributions to the development of new Chinese drama art over a hundred years since its establishment in 1920 depending on its distinct ethnic characteristics,unique artistic imagination,and broad border writing.From Golden Eagle in 1950s,to Black Horse in the 1980s,and then to Tuoba Xianbei,Children of the Country,Yin Zhannaxi in the new century,etc.,Inner Mongolia drama creators integrate the ethnic policy with unique aesthetic characteristics,promote the process of ethnic integration,build a strong sense of community for Chinese nation,and participate in and reshape the national memory of people living in the vast northern border area.It shows the open,warm and moving national temperament and national image of Inner Mongolia to China and the whole world.