《卷葹》中女儿群像的心理探微

On the Psychological Evolution of Group Portrait of Daughters in Siberian Cocklebur

冯沅君的《卷葹》大胆裸露地表达了“五四”青年女性对自由恋爱、自由婚姻的向往,审视着新旧交替时代中她们的生存与情感体验。女儿群像被凝视的痛苦、自虐和臣服等心理意识,流露出传统伦理道德对女性恒久的规训痕迹。研究“五四”时代妇女解放的特点,结合女性自身的局限性,考察她们个体成长的心路演变。

Feng Yuanjun’s Siberian Cocklebur boldly and barely expresses the yearning for free love and free marriage of young women in the May Fourth Movement,and examines their survival and emotional experience in the new and old transition era.The psychological consciousness of the daughters in the text,such as the pain of being gazed,self-abuse and submission,reveals the traces of the long-term discipline of traditional ethics on women.This article studies the characteristics of women’s liberation in the“May Fourth”era,combined with the limitations of women themselves,and observe the evolution of their individual growth.