滕固早期文学中的“疾病”隐喻及其现代性审美建构

The Metaphor of “Disease” in Teng Gu’s Early Literature and Its Modern Aesthetic Construction

20世纪初期,中国文坛引入西方唯美-颓废主义文学思潮,滕固在这股崭新势力中扮演了接受和传播的重要角色,他将现代性文学审美风格同本土化实验相结合,呈现出早期文学创作高频率的疾病书写风景。在滕固的作品中,疾病叙事与恋爱脉络关联,凸显人物的颓丧性格,从史料考证层面与作家的个人经历高度吻合;滕固的疾病符号暗含道德因素,与生理失常的表征形成对照关系,潜藏人格标签和失德行为的因果报应,隐喻灵魂与肉体的对抗。当疾病主体从日常秩序抽离,现代主义个性精神立场逐步显现,忧郁人格的心理症结升华了滕固唯美-颓废者的思想内涵,反传统的疾病隐喻成为被遮蔽的历史暗角,其中蕴含着背离古典和反叛平庸的新异的审美范式。

In the early 20th century,western aestheticism and decadence were introduced into the Chinese literary world.Teng Gu played an important role in accepting and spreading this new force.He combined the aesthetic style of modern literature with the experiment of localization,and presented the high frequency of the disease writing landscape in the early literary creation.In Teng Gu’s works,the narrative of disease is connected with the context of love,highlighting the decadent character of the characters,which is highly consistent with the writer’s personal experience from the level of historical research;Teng Gu’s disease symbol implies moral factors,forms a contrast relationship with the manifestation of physiological disorders,latent personality label and the karma of immoral behavior,metaphor of the confrontation between soul and body.When the subject of the disease is separated from the daily order,the modernist personality and spiritual stance gradually emerge,and the psychological crux of the depressed personality sublimates the ideological connotation of Teng Gu’s aestheticism-decadence,and the anti-traditional metaphor of the disease becomes a dark corner of history that is obscured,containing a new aesthetic paradigm that deviates from the classical and rebellious mediocrity.