试论纳西族东巴纸牌画的绘画形式与美学意涵

Discusses the forms and aesthetic implications of Nakhi People's Dongba card painting

东巴画是纳西族东巴文化的重要载体,具有来自于东巴教的浓重神秘色彩,分为求神、驱鬼、卜卦、超度亡灵等。东巴画按类别又分为木牌画、纸牌画、卷轴画、经文画等,是东巴文化艺术特质与文化风格的充分体现,更是凝聚了纳西先民智慧成果的珍贵历史文化遗产。本文以东巴画中的纸牌画作为论述对象,从美术史的建构逻辑和绘画的本位语言视角出发,进一步探究“字与画”的符号性特征以外的方向维度,致力于开掘图像的独立性、指代性以及与历史阐释的关联,以期对东巴纸牌画在民族性与历史性意义之外的形式与美学意涵进行全新的理念分析与意义解读。

Dongba painting is an important carrier of Dongba culture in Nakhi people.It is often used in various religious activities and has a strong religious color from Dongba religion.Dongba painting can be divided into wooden card painting,card painting,scroll painting,scripture painting,etc.It is a full reflection of Dongba's cultural and artistic characteristics and style,it is also a precious historical and cultural heritage that embodies the wisdom of Nakhi People's ancestors.This article takes the card painting in Dongba painting as the object of discussion,starting from the construction logic of art history and the perspective of painting standard language,to further explore the religious and"Hieroglyph and painting"in the direction of the symbolic features of the dimensions,to explore the image of the independence,referential,and the relationship with historical interpretation,lt is expected to conduct a brand-new conceptual analysis and interpretation of the form and aesthetic meaning of Dongba card painting beyond its national and historical significance.