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“可视性”视角下的散文战争电影美学

Aesthetics of Essay War Films from the Perspective of'Visibility'
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摘要 在影响电影历史,或者是影响电影的跨界领域的里程碑式的散文电影的主题中,战争虽然不是永远的主角,但是战争题材的选择与电影技术的使用直接相关。将“可视性”及“可感知性”作为一种创作的有利条件,是散文电影家们善用的表达形式,也是美学、历史及政治的关系的体现。一部散文电影,是一个不断提出问题、对于人类本体不断论证的过程,也是通过利用重现战争这一手段来进行对战争的反思、并尽可能地展开为真相而奋斗的过程。 "Visibility"is a prerequisite for War and also for image presentation.In milestone essay films that influence the history of film or the cross-border fields of film,although war is not the eternal protagonist,the choice of war themes is directly related to the use of film technology.Taking visibility"and"perceptibility"as a powerful condition of creation is a form of expression that essay filmmakers make good use of,and also reflects the relationship between aesthetics,history and politics.An essay film is a process of questioning and arguing about the nature of mankind,a process of reflecting on war through the use of reenactment,and a process of struggling for the truth as much as possible.
作者 宝丽鑫 BAO Lixin
出处 《上海视觉》 2024年第1期109-114,共6页 Shanghai Vision
关键词 散文电影 战争技术 世界图像 可感知性 essay film warfare techniques world image perceptibility
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