摘要
在影响电影历史,或者是影响电影的跨界领域的里程碑式的散文电影的主题中,战争虽然不是永远的主角,但是战争题材的选择与电影技术的使用直接相关。将“可视性”及“可感知性”作为一种创作的有利条件,是散文电影家们善用的表达形式,也是美学、历史及政治的关系的体现。一部散文电影,是一个不断提出问题、对于人类本体不断论证的过程,也是通过利用重现战争这一手段来进行对战争的反思、并尽可能地展开为真相而奋斗的过程。
"Visibility"is a prerequisite for War and also for image presentation.In milestone essay films that influence the history of film or the cross-border fields of film,although war is not the eternal protagonist,the choice of war themes is directly related to the use of film technology.Taking visibility"and"perceptibility"as a powerful condition of creation is a form of expression that essay filmmakers make good use of,and also reflects the relationship between aesthetics,history and politics.An essay film is a process of questioning and arguing about the nature of mankind,a process of reflecting on war through the use of reenactment,and a process of struggling for the truth as much as possible.
出处
《上海视觉》
2024年第1期109-114,共6页
Shanghai Vision
关键词
散文电影
战争技术
世界图像
可感知性
essay film
warfare techniques
world image
perceptibility