摘要
根据路遥中篇小说《人生》改编的现实主义题材电视剧《人生之路》,是对小说结尾“并非结局”的倾情抒写。该剧以镜像式的人物塑造,拓展了群像人物的艺术魅力;叙事时空从陕北延续到上海,为“高加林一代青年”植根于中国时代语境提供了“上海方案”;上海城市空间审美意象的构建,拓宽了海派艺术美学的风格。电视剧《人生之路》对当下青年关于奋斗、关于命运等热议的话题,在立足时代语境的同时,回应了时代之问。
Based on Lu Yao's novella Life,the realistic TV drama The Road of Life is a heartfelt expression of the end of the novel,which is not the ending.The play expands the artistic charm of the group figures with the mirror character shaping;The narrative time and space extends from northern Shaanxi to Shanghai,providing a"Shanghai solution"for Gao Jialin Generation Youth"to take root in the context of Chinese times;The construction of Shanghai urban space aesthetic image broadens the aesthetic style of Shanghai art.The TV drama"The Road of Life"responds to the questions of The Times while basing on the context of The Times on the hot topics of struggle and fate of the young people.
出处
《上海视觉》
2024年第1期143-147,共5页
Shanghai Vision
基金
中国成人教育协会2023年度一般课题《主旋律影视作品传播融入新时代首都成人高校美育教育实践研究》的成果,课题编号:2023-432Y。
关键词
《人生之路》
现实主义电视剧
浪漫化抒写
镜像理论
海派美学风格
The Road of Life
Realistic TV series
Romanticize the expression
Mirror image theory
Shanghai aesthetic style