依时序跨文体:苏轼作品阅读方式的一种尝试

On Different Genres Composed Synchronously:Attempting a New Approach to Reading Su Shi's Works

苏轼喜欢对同一主题进行跨文体创作,即在同一时间对同一件事用不同文体多角度表达他的看法和感受。因不同文体承袭不同传统,有其自身套路,难免影响作者处理话题的态度和格调,这在以往常被忽略,对此有必要尝试依时序跨文体重读苏轼作品。苏轼散文体的尺牍、题跋和杂记的数量庞大,是其作品中被忽视的宝藏。通过对苏轼诗与非正式散文文体差异的多重考察,探讨不同文体对作家表现同一事件方式的影响。对于苏轼在不同文体中处理相同主题或事件,不能简单解释为作家热衷在每个新作中都变换手法和方式。文学形式本身,或者至少是苏轼使用它们的方式,对结果产生着巨大的影响。当苏轼从一种形式转向另一种形式时,参照系随之改变,他对主题的处理也随之改变。

Su Shi likes to create cross-genre works on the same topic,that is,to express his views and feelings in different literary forms and from multiple perspectives on the same thing at the same time.Because different styles inherit different traditions and have their own stereotypes,the author's attitude and style in dealing with the topic will inevitably be affected,which has been ignored in the past.So,it is necessary to re-read Su Shi's works in cross-genre according to the time sequence.There is a large number of informal letters(chidu尺),colophon(tiba题跋),and miscellaneous records(zaji杂记)in Su Shi's prose pieces,which is the neglected treasure in his works.Through multiple investigations of the stylistic differences between Su Shi's poetry and his informal prose,this paper probes into the influence of different stylistic genres on the writer's expression of the same event.When we examine how Su Shi treats the same topic or event in different genres,it cannot simply be explained as a writer's penchant for varying the treatment and approach in each new piece.The literary forms themselves,or at least their very nature in the way Su Shi employs them,exert a powerful influence on the treatments that result.The frame of reference changes as Su Shi moves from one form to another and his treatment of the topic with it.