《文心雕龙》上篇的“文学自觉”阐释

The Interpretation of“Literary Self-Consciousness”in the Upper Part of Literary Mind and the Carving of Dragons

“文学自觉”这一命题含义模糊,通过对《文心雕龙》上篇的阐发可以解决“文学自觉”含义的泛化。《文心雕龙》上篇以“大文学观”为基础,修正了“纯文学”视野对文学的狭窄定义。上篇的篇目呈现层次分明的“文体序列”,可以衡量文章的“自觉”程度,规定了文章书写的广度、深度和表达的自由度。上篇的结构体现以文章为中心的“阐释空间”,通过理想作者和理想读者的建构来确立文章的“正体”,形成一套独特的“文学自觉”标准。

The ambiguity of the proposition“literary consciousness”can be resolved through the interpretation of the upper part of Literary Mind and the Carving of Dragons,which is a generalization of the meaning of“literary consciousness”.The upper part of Literary Mind and the Carving of Dragons is based on the“Great Literature View”,which corrects the narrow definition of literature from the perspective of“pure literature”.The titles of the first part of the book present a hierarchical“sequence of genres”,which can measure the degree of“self-awareness”of an essay,and stipulate the breadth,depth,and freedom of expression of an essay.The structure of the first part reflects the“interpretive space”centered on the article,which establishes the“proper form”of the article through the construction of the ideal author and the ideal reader,and forms a unique set of“literary self-awareness”standards.The structure of the essay reflects the“interpretive space”centered on the essay,establishing the“proper form”of the essay through the construction of the ideal author and the ideal reader,forming a unique set of“literary consciousness”standards.