《春社图》中的人物服饰形象与民俗场景表达

Representation of Costume Image and Folk Scenes in Chunshe Figure

以明代风俗画《春社图》中所绘人物服饰为主要研究对象,采用文献研究、图像分析、艺术考古的研究方法,从《春社图》中选取具有代表性的士、庶、艺民间人物着装,探究服饰对人物身份的标识作用和对民俗场景的表达呈现,管窥明代民间服饰。通过《春社图》所呈现的民俗场景可发现,服饰不仅是区分士人、庶民、艺人等不同人物身份的符号,其被穿着状态也反映了人物的不同环境背景。《春社图》中展现了3类人物,他们服饰的差异表现在3个方面,分别是礼仪规制性、休闲实用性、模拟表演性。

Taking the costumes of the characters painted in the custom painting Chunshe Figure of the Ming Dynasty as the main research object,this paper employed methods of literature research,image analysis,and art archaeology.It selected the representative dresses worn by scholars,common people,artists and folk characters from the Chunshe Figure to explore the role of costumes in identifying character identities and the expression of folk scenes,so as to have a glimpse of the folk costumes of the Ming Dynasty.The research shows that through the folk scenes presented by Chunshe Figure,clothing not only serves a symbol of the identity of scholars,common people and artists,but also reflects different environmental backgrounds through its wearing state.The costumes thus presents three differences:adherence to etiquette,practicality for leisure,and simulation in performance.