真醇博雅:董沄诗歌与阳明心学接受

True Richness and Elegance:Dong Yun's Poetry and the Acceptance of Yangming's Philosophy

文学世界的塑造是主体表现情感、传导思想的重要方式。明代后期文学心性思潮的发展与阳明心学的兴起有着深刻的关联性,文学艺术成为心学思想的阐释方法。以董沄为代表的阳明后学的诗歌创作在一定程度上体现出心学阐释与思想接受的倾向。董沄以心为本的创作论,力行工夫的价值论,汉魏之音的风格意识丰富了明代文学的理论,而其诗歌中真挚纯粹式理想人格的塑造、博雅宁静式审美境界的追寻,以及学诗门径与学理门径的探索则在实践中见证了明代文学的心性化道路。董沄用诗歌的方式,在诗歌与文学作品的评点中融汇了自身的心体之思,进一步发掘心学与文学结合的可能。

The shaping of the literary world is an important way for the subject to express emotions and transmit ideas.The development of the ideological trend in literature in the late Ming Dynasty is deeply related to the rise of Wang Yangming's philosophy of mind.Literature and art have become the interpretive methods of philosophy of mind.The poetry creation of Yangming scholars,represented by Dong Yun,to a certain extent reflects the tendency of interpreting and accepting thoughts in the field of psychology.Dong Yun's creative theory based on the heart,the value theory of hard work,and the stylistic consciousness of the Han Wei music enriched the theory of Ming Dynasty literature.However,the shaping of a sincere and pure ideal personality,the pursuit of an elegant and peaceful aesthetic realm,and the exploration of the path of learning poetry and theory in his poetry witnessed the path of the humanization of Ming Dynasty literature in practice.Dong Yun used poetry as a way to integrate his own thoughts and ideas in the evaluation of poetry and literary works,further exploring the possibility of combining psychology with literature..