摘要
蜡染作为国家级非物质文化遗产,因其独特的艺术性和审美价值在产品设计领域受到广泛关注和应用。随着科技的快速发展,设计生成方式不断演变,数智技术在设计中的应用愈发普及。然而,当前关于蜡染产品数智设计的研究进展和未来发展趋势尚未有全面、系统的梳理。文章以文献计量分析方法为知识基础,借助VOSviewer软件对国内外相关文献进行了系统回顾及深入分析。同时,对蜡染产品数智设计进行了内涵解读,主要从文化符号提取与语义表征、基于规则的设计生成与推理、蜡染纹理与布料染色特征模拟、蜡染图案风格迁移4个研究维度开展探讨,并聚焦于其中关键技术的发展现状与趋势。通过研究旨在为蜡染产品数智设计领域建立关键技术体系,推动传统蜡染工艺的现代化转型和创新发展。
Batik a time-honored Chinese dyeing technique steeped in profound historical and cultural significance has been handed down through countless generations standing as a testament to the wisdom and masterful craftsmanship of our ancestors.Its essence lies in the artful utilization of techniques such ascovering orfolding to precisely control which parts of the fabric are dyed thus creating captivatingblanks that form intricate and alluring patterns.This unique approach has not only been recognized as a national intangible cultural heritage but has also sparked widespread interest and application in diverse product design fields due to its unparalleled artistic and aesthetic appeal.Modern designers incorporate batik motifs by extracting them and seamlessly integrating them as integral components in their works thus marrying traditional values with contemporary design aesthetics.However with the rapid advancements in technologies like artificial intelligence design methodologies are evolving at a breakneck pace ushering in the emergence of digital-intelligence design.This paradigm shift transcends the traditional boundaries of digital or computational design integrating human and non-human intelligence into a multifaceted interactive and bidirectional thinking process that fosters innovation and creativity.The integration of digital-intelligence technology with batik product design holds immense potential promising to be revolutionized in the way it is approached becoming more efficient innovative and responsive to the evolving needs of modern consumers.However the complexity of the academic research landscape has posed challenges in providing robust theoretical support to the industry which has been hampered in harnessing the full potential of digital-intelligence technology for batik product design due to the scarcity of comprehensive research.Currently batik is scarcely studied comprehensively with most studies narrowly focused on specific batik types and exploring topics such as cultural industry development historical inheritance and preservation.This gap in research underscores the need for batik and its potential applications in the digital era to be understood more holistically and thoroughly.To address this gap a comprehensive overview of the current research hotspots and future trends in digital-intelligence technology for batik product design is necessitated.To address the scarcity of research and lack of comprehensive systematic approaches in digital-intelligence design for batik products this comprehensive study employs bibliometric analysis as its foundational methodology and selectively utilizes the China National Knowledge Infrastructure CNKI and the Web of Science WOS databases encompassing both Chinese and English sources as the statistical backbone.Each paper undergoes rigorous individual screening with its title abstract,keywords,and core viewpoints being considered,while non-academic contents such as introductions,book reviews,news articles,and papers unrelated to digital-intelligence design for batik products are excluded.This screening process effectively diminishes the number of ineffective factors,thus enhancing the precision of the research data and enabling a focused approach on the most pertinent research priorities.Ultimately,a total of 220 Chinese and 208 English documents are identified and compiled.By utilizing these findings,VOSviewer software is leveraged to conduct a thorough systematic review,emphasizing the evolution trends and co-occurrence clustering of keywords.This analysis is conducted to provide insights into the evolution of key technologies,identify current research hotspots,and forecast potential future development trends.The design methodology itself is thoroughly examined,with a scrutinization of four pivotal dimensions that are critical to its success:the precise extraction and meaningful representation of cultural symbols,the generation and reasoning of rule-driven designs,the simulation of batik textures and fabric dyeing processes,and the transfer of pattern styles.Within each of these dimensions,close attention is paid to the current status and evolving trends of critical technologies.The study pinpoints the gaps in existing research,highlighting areas that demand further exploration and advancement.The research endeavors to establish theoretical frameworks and technological breakthroughs that constitute a robust foundation for propelling future scholarly inquiries.The ultimate ambition is to kindle research interest in the intersection of modern digital-intelligence technology and intangible cultural heritage.By bridging the divide between traditional craftsmanship and contemporary technology,the study seeks to spark innovative approaches to safeguarding and transmitting our rich traditional culture,so as to ensure its vibrancy and relevance in the modern world.The potential opportunities for the future of digital-intelligence design in batik are primarily resided in three key areas:the precise extraction and enriched semantic representation of batik cultural symbols,the enhancement of technical precision and realism in batik pattern textures,and the facilitation of user personalization and interactive design.However,we are also faced with challenges such as the impact of limited annotated data on model performance,the significant computational requirements for simulating realistic lighting effects,and the cognitive gaps between users and professional designers.Navigating these opportunities and overcoming these challenges will require that researchers conduct more rigorous and in-depth studies.
作者
罗仕鉴
张泷予
田馨
吕健
LUO Shijian;ZHANG Longyu;TIAN Xin;L Jian(College of Computer Science and Technology,Zhejiang University,Hangzhou 310027,China)
出处
《丝绸》
CAS
CSCD
北大核心
2024年第7期1-13,共13页
Journal of Silk
基金
国家社会科学基金艺术学重大项目(20ZD09)。