弗吉尼亚·伍尔夫“音乐—小说”特征研究

Research on Virginia Woolf’s“Music-Fiction”

弗吉尼亚·伍尔夫“小说—音乐”关注音乐和小说如何在一个作品中共存及小说对音乐的指涉,具有颠覆性意义。通过借用音乐理念、使用音乐元素、借鉴音乐结构,伍尔夫形成了“按节奏而非情节”“形式与意义并重”“独特的音乐叙事风格”的“音乐—小说”特征。《远航》《夜与日》《雅各的房间》中,“角色”与音乐的关系构成了小说的主题。《到灯塔去》《海浪》中,伍尔夫将自己化身成为交响队的指挥,充分运用文字音乐、主题贯穿、对位、赋格曲和奏鸣曲式的创作手法,使作品具有音乐感。

Virginia Woolf’s“Music-Fiction”focuses how music and fiction coexist in one work and inter-medial reference,which has subversive breakthrough significance.The core ideas of Woolf’s“Music-Fiction”are writing according to a rhythm not to a plot,equal emphasis on form and meaning and unique musical narrative style,which are formed through integrating music concept,music elements and music structure.The relationship between music and characters forms the theme of the novel in The Voyage Out,Night and Day,and Jacob’s Room.Besides,Woolf engages herself as the conductor of the symphony orchestra,and experiments the creative techniques of word music,theme penetration,counterpoint,fugue and sonata,which makes musicality embodied in To the Lighthouse and The Waves.