家园遗产的地方性与公共性——以哈尼族《四季生产调》为例

The Locality and Publicness of Home Heritage:A Case Study of the Hani's Four Seasons Work Song(《四季生产调》)

哈尼族《四季生产调》是家园遗产的代表,在传承实践过程中凸显出地方性和公共性两种不同的特征。一是《四季生产调》根植于哈尼族完整的农耕体系和传统社会,全面体现着哈尼族以村寨利益为最高原则来组织和维系村寨社会文化的村寨主义,凸显地方性特征;二是进入“非遗”体系后,打破传统家园边界,以其文化内涵促进产业化创新,优化公共性结构。《四季生产调》在传承实践过程中,反映了国家层面在文化保护与传承中的重要性,探讨跨越地方性与公共性边界所具有的新时代价值。

The ethnic group of Hani’s Four Seasons Work Song is a representative of home heritage,highlighting two different characteristics of locality and publicness in its process of inheritance and practice.First,the Four Seasons Work Song is rooted in the complete farming system and traditional society of the Hani people,fully reflecting the village-ism of the Hani people,which is based on the interests of the village as the highest principle for organizing and maintaining the village's social culture,highlighting the characteristics of locality.Second,after entering the"Intangible Cultural Heritage"(ICH)system,it breaks the traditional boundaries of the home and promotes industrial innovation with its cultural connotation,optimizing the manifestation of publicness characteristics.The Four Seasons Work Song in its inheritance and practice reflects the importance of the national level in cultural protection and inheritance,and explores the new era value of transcending the boundaries of locality and publicness.