摘要
近一百五十年来,越来越多戏剧家想通过戏剧唤醒人们对社会问题的关注。易卜生、萧伯纳、布莱希特和伯奥都用不同的方式引发了观众的思考和讨论,但较少有人关注他们戏剧的实际受众情况,这是剧场文化学要探究的。现代中国戏剧主要是学易卜生式的话剧,忽视了也能反映社会问题的音乐剧。比起现实主义话剧,音乐剧往往更具理想主义,和中国戏曲更接近。音乐剧剧场更大,演出更多,总体观众和社会影响都大得多。我们应从更实际的调查研究入手,以期更全面地借鉴关注社会问题的戏剧类型。
Over the past 150 years,more and more playwrights have sought to awaken people,s attention to social issues through drama.Playwrights such as Ibsen,Bernard Shaw,Brecht,and Beckett have all sparked audience thinking and discussion in different ways,but only a small portion of people have paid attention to the actual audience reception of their dramas,which is what theatre culture studies aim to explore.Modern Chinese drama is mainly influenced by Ibsen-style drama,neglecting musical which can also reflect social issues.Compared to realistic drama,musical tends to be more idealistic and closer to Chinese Xiqu.Musical theatres are larger,with more performances,and have a much larger overall audience and social impact.We should start from more practical investigations and studies in order to more comprehensively draw on drama genres that focus on social issues.
作者
陈京蔚
孙惠柱
CHEN Jingwei;SUN Huizhu
出处
《戏剧艺术》
CSSCI
北大核心
2024年第3期70-82,共13页
Theatre Arts
基金
国家社科基金重大项目“欧美戏剧剧场资料翻译与研究”(21&ZD268)阶段性成果。
关键词
问题剧
社会影响
剧场文化学
音乐剧
problem play
social impact
theatre culturology
musical