清代宁波“胡氏宗祠祖宗像”修复技艺探研——兼论对工艺美术品修复的启示

A Study on the Restoration Techniques of Ancestral Statues in the Hu Clan Ancestral Temple in Ningbo during the Qing Dynasty--On the Enlightenment of Restoration of Arts and Crafts

“祖宗像”是传统中国家庭家族慎终追远、敬祖祈福相关仪式与活动的重要构成元素,也是传统中国家庭的文化载体。明清已降,祖宗像的绘制形式趋于稳定,传世作品较多,损坏亦极为常见,如何更好地修复对于传统文化保护至关重要。本文以浙江宁波小门村胡氏宗族所藏“胡氏祖宗像”的研究及修复为中心,介绍了作品伤况、病害等基本情况,以及对这些伤况解析成因。针对这一类民间保存不当、破损严重的藏品如何进行抢救性修复,提供了新的思路、方法和材料,并对“祖宗像”如何在修复后科学保护提出建议,从而承载寄托后世对于先人的思念之情,传承发展中华优秀传统文化和优秀技艺。

Ancestral images are an important component of traditional Chinese family rituals and activities related to respecting and praying for blessings,as well as a cultural carrier of traditional Chinese families.The Ming and Qing dynasties have declined,and the form of ancestor portraits has become more stable.There are many works that have been passed down,and damage is also very common.It is crucial to better restore them for the protection of traditional culture.This article focuses on the research and restoration of the"Hu Ancestral Portrait"collected by the Hu family in Xiaomeni Village,Ningbo,Zhejiang Province.It introduces the basic information of the damage and diseases in the work,and analyzes the causes of these injuries.This article provides new repair ideas,methods,and materials for this type of collection that is improperly preserved and severely damaged in the folk.It also provides suggestions for scientific protection of the"Ancestral Statue"after restoration,in order to carry the nostalgia for our ancestors and inherit and develop excellent traditional Chinese culture and skills.