算法时代的艺术图式及其审美危机——兼及“艺术终结论”的算法回响

Artistic Schemas and Their Aesthetic Crisis in the Algorithmic Era-The Algorithmic Reflection on“The End of Art”

作为人工智能的底层逻辑,算法对艺术场域的介入是这一技术形态进驻人类社会的深层表征。就文本生产而言,基于大语言模型的“AI生成”不仅证实了艺术场域算法实践的加速迭代,其愈发抵近人类艺术的文本形态也佐证了基于算法的情感建模乃至艺术创造力的实现或为可能。就艺术传播与接受而言,算法推荐的量身定制营造了艺术接受的“趣味化”导向,推动了基于同一审美旨趣的虚拟社群的构建,在改写艺术价值评判规则的同时也重构了艺术场域的权力布局。艺术场域的算法介入改变了人类艺术实践的关系图谱,其衍生的审美危机使得“艺术终结论”的算法重启可能更具现实立场。

As the underlying logic of artificial intelligence,the intervention of algorithms in the art field is regarded to be the dee-per representation of this technological entering human society.In terms of text production,“AI generation”based on large language models not only confirms the accelerated iteration of algorithmic practice in the art field,but also proves the possibility of algorithmic e-motion modeling and even the realization of artistic creativity as its textual form getting closer and closer to that of human art.In terms of art dissemination and acceptance,the customization of algorithmic recommendation creates a“fun”orientation of art acceptance,promotes the construction of virtual communities based on the same aesthetic interests,and rewrites the rules of art value judgment while also reconstructing the power layout of the art field.The intervention of algorithms in the art industry has altered the way human art is created and perceived,leading to an aesthetic crisis that supports the idea of the end of art being restarted through algorithmic means.