朱谦之美学思想对当代中国油画创作的启示

The Aesthetic Thought of ZHU Qianzhi and Its Inspiration on Contemporary Chinese Oil Painting Creation

朱谦之的“唯情论”“宇宙美育”思想为当代中国艺术家提供了深邃而有启发性的思想体系。本文以朱谦之的“唯情论”和“宇宙美育”思想为理论核心,讨论了“真情之流”蕴含的“真情”与“直觉”、“宇宙即我,我即宇宙”蕴含的“人和于天”与“以美为本体”的自我修养,对当代中国油画创作思想的借鉴启示。结论提出,当代中国油画家们应以朱谦之美学思想为鉴,通过对创作的深入思考和对审美观念的深入研究,建立起明晰的审美认知体系,开启自己的创作灵感。

The aesthetic philosophy of Zhu Qianzhi,particularly the“Theory of Sole Sentiment”and the“Universal Aesthetics Education”,offers a profound and inspiring conceptual framework for contemporary Chinese artists.This study takes Zhu Qianzhi’s“emotionalism”and“cosmic aesthetic education”as the theoretical core,discussing the notions of True Emotion and Mystic Intuition within the“flow of true feelings”,as well as“The harmony between humanity”found in“The universe is me,and I am the universe”and the heavens.Additionally,it explores the self-cultivation aspect of“The essence based on beauty”and its relationship with contemporary Chinese oil painting creation.Contemporary Chinese painters must engage in thoughtful reflections on their creative endeavors and conduct in-depth research on aesthetic concepts.Establishing a clear aesthetic cognitive system is crucial for unlocking their creative inspirations.