救亡的画:抗战时期桂林木刻与漫画结合的创新发展

Painting of national salvation:The innovative development of Guilin woodcut and comics during the anti-Japanese war

抗战时期,为响应抵御日本法西斯侵略的正义之战,桂林木刻、漫画这两种艺术形式走在了文化抗战的最前列。为了克服战时漫画材料与印刷的困难,更好发挥漫画的抗战宣传作用,木刻、漫画工作者一是进行创新性思考,将木刻与漫画结合,创造了一个新的艺术样式——“漫画木刻”;二是进行大胆实践探索,完善二者的融合,使其不断发展;三是在解决战时漫画材料匮乏和印刷传播受阻的难题之后,“漫画木刻”传播得到快速发展;四是在融合创新与发展中实现了木刻与漫画的强强联合,彰显各自优势,弥补彼此不足,使“漫画木刻”这一创新性艺术形式在围绕抗战主题创作、聚焦现实题材以及抗战宣传中发挥了更大的作用。

During the anti-Japanese war,in response to the just war of resisting Japanese fascist aggression,Guilin woodcut and cartoon were at the forefront of the cultural war of resistance.In order to overcome the difficulties of cartoon materials and printing in wartime and give full play to the propaganda function of the anti-Japanese war,woodcut and cartoon workers first made innovative thinking,that is,combining woodcut with cartoon to create a new artistic style-“comic woodcut”;Secondly,carry out bold practical exploration,improve the integration of the two,and make it develop continuously;Thirdly,after solving the problems of the shortage of cartoon materials and the obstruction of printing and communication in wartime,the spread of Manmu has developed rapidly.Fourthly,in the process of integration,innovation and development,the strong combination of woodcut and cartoon has been realized,showing their respective advantages and making up for each other’s shortcomings,thus making the innovative art form of“comic woodcut”play a greater role in creating around the theme of the anti-Japanese war,focusing on realistic themes and promoting the anti-Japanese war.