摘要
龙崇拜在中国可追溯至新石器时代早期。龙形象主要来源于两方面,一是来源于野猪和蛇的组合,二是来源于辽西先民对北斗运行规律的观测和记录。辽西文化区的查海石塑龙、兴隆洼摆塑龙、赵宝沟文化陶器纹饰和红山文化玉龙都佐证了这一造型理念,三燕文化在铜器装饰上也延续了红山文化龙形象的特征。早期龙崇拜的内涵是对北斗天象和野猪、蛇动物图腾的崇拜,是一种基于农业活动和天文观测的理性信仰。经过历朝历代的不断演绎,龙成为中华民族的精神图腾。
Loong worship in China can be traced back to the early Neolithic period.The image of the loong mainly originates from two aspects,one is the combination of wild boar and snake,and the other is the observation and recording of Beidou's movement rules by the ancestors of Liaoxi.The Chahai stone sculpture loong,Xinglongwa swing sculpture loong,Zhaobaogou culture pottery decoration,and Hongshan culture Jade loong in western Liaoning Cultural District are all the evidences of this creative concept.The bronze decoration of Sanyan culture also continued the characteristics of the loong image of Hongshan culture.The connotation of early loong worship is based on agricultural activities and astronomical observations,which involves worshipping Beidou celestial phenomena and totems represented by pigs and snakes.It is a rational belief that has been continuously interpreted throughout dynasties,making the loong become a spiritual totem for Chinese nation.
出处
《理论界》
2024年第6期75-82,共8页
Theory Horizon
基金
辽宁省社会科学界联合会2024年度辽宁省经济社会发展研究课题“魏晋南北朝时期辽西北地区民族共同体意识研究”(2024lsljdybkt-025)的研究成果。
关键词
龙崇拜
辽西地区
北斗
loong worship
Liaoxi region
Beidou