变异、虚空与元图像:关于雅克·林纳德静物画所绘“东坡游赤壁”纹青花瓷碗的阐释

Variation,Vanitas,and Meta-Picture:An Interpretation of the Blue and White Porcelain Bowls with the Pattern of“Dongpo's Tour at Red Cliff”in Jacques Linard's Still Life Paintings

17世纪的法国画家雅克·林纳德在其跨越十三年的三幅静物画中,反复表现了一种或一只产自中国景德镇的“东坡游赤壁”纹青花瓷碗,使之成为其所绘“五感”或“虚空”主题静物画中的象征符号。因为中西方文化艺术的差异,雅克·林纳德静物画中的青花瓷碗存在着一定程度的功能错位;“东坡游赤壁”主题的文字纹则变异为无实际意义的点线组合符号纹;而图像纹除了表现内容的变异,还被赋予了新的内涵寓意。另一方面,这种变异也使“东坡游赤壁”图摆脱了苏轼“赤壁”二赋或改编故事的束缚,以纯粹的“图像”身份独立呈现。雅克·林纳德的三幅静物画尤其是《中国瓷器与鲜花》,因此也展示出更加明显的“元图像”或“元绘画”的特征。

In the 17th century,French painter Jacques Linard executed a series of still life paintings over thirteen years,consistently featuring a blue and white porcelain bowl adorned with the motif of“Dongpo's Tour at Red Cliff.”This repeated motif emerged as a symbolic element within his works exploring themes of the“five senses”and“vanitas.”Due to the divergent cultural and artistic contexts of China and the West,the depicted porcelain bowls exhibit a transformation in function,decoration,and significance.These alterations not only shift the representation of“Dongpo's Tour at Red Cliff”from its literary origins to a purely visual form but also imbue the motif with new layers of meaning.Consequently,Linard's works,particularly Porcelana china con flores,prominently display characteristics of a“meta-picture”or“meta-painting.”