徽派民居中空间装饰艺术的象征性审美特征

The Symbolic Aesthetic Characteristics of Space Decoration Art in Hui Style Folk Houses

文章以徽派民居为研究对象,探讨其空间装饰艺术作为象征性文化符号的社会审美文化特征。首先,通过借鉴传统造物艺术理论,分析徽派民居中空间装饰艺术的使用功能、装饰功能与象征功能;其次,通过符号学理论中的形式语构、语义和语用以及由此形成的科学经验,从象征性功能的审美角度出发,分析特定历史时期建筑创作者和地区集体的审美文化特征;再次,从艺术与社会关系的维度,分析了象征性文化符号在社会审美文化中的价值,以及其在塑造国家建筑形象中的重要地位。通过研究,加强对传统造物思想的理解,突出象征性符号在徽派建筑空间中的文化特征,彰显个体与客体之间的关联性与统一性的价值观,在国家建筑形象设计中具有一定传承和创新意义。

This paper takes the Hui style folk houses as the research object,and discusses the social aesthetic and cultural characteristics of its space decoration art as a symbolic cultural symbol.First of all,by drawing lessons from the traditional theory of creative art,this paper analyzes the use function,decorative function and symbolic function of space decoration art in Hui style folk houses;secondly,through the formal structure,semantics and pragmatics in semiotics theory and the resulting scientific experience,from the aesthetic point of view of symbolic function,this paper analyzes the aesthetic and cultural characteristics of architectural creators and regional collectives in a specific historical period.Thirdly,from the dimension of art and social relations,it analyzes the value of symbolic cultural symbols in social aesthetic culture and its important position in shaping the image of national architecture.Through the research,we should strengthen the understanding of the traditional thought of creation,highlight the cultural characteristics of symbolic symbols in the Huizhou architectural space,and highlight the values of-2-the relevance and unity between the individual and the object.it has certain inheritance and innovative significance in the national architectural image design.