搪瓷盆:当代中国画的图案化及其突围

Enamel Basins: The Patternization and Breakthrough of Contemporary Chinese Painting

本文以20世纪50年代的“中国画结合工艺美术运动”为例,分析当代中国画创作的图案化趋势及其现实动因,分析中国画在“十七年”时期的转型与被改造;通过搪瓷盆、檀香扇等具体案例,展示了国画家如何通过图案制作进入轻工业生产中。这不仅反映了当代中国画创作的社会背景,也揭示了中国画从传统到现代的转型过程。中国画的图案化使其能够更广泛地融入社会生产中,承担更现实的社会任务,但这种趋势也引发了关于中国画艺术价值和“民族风格”更深入的讨论。探讨当代中国画创作走出图案化困境的可能路径的同时,展现了中国画在传统与现代、艺术与工艺之间的复杂互动及其现代化进程。

Taking the"Chinese Painting and Craft Art Movement"of the 1950s as an example,this paper analyzes the trend of patternization in contemporary Chinese painting and its underlying causes,as well as the transformation and reformation of Chinese painting during the Seventeen Years.By examining examples such as enamel basins and sandalwood fans,this article illustrates how traditional Chinese painters participated in light industrial production through pattern creation.This reflects not only the social background of contemporary Chinese painting but also its transition from tradition to modernity.The patternization of Chinese painting has enabled it to be more widely integrated into social production and undertake more practical social roles.However,this trend has also sparked deeper discussions about the artistic value and"national style"of Chinese painting.The paper explores potential paths for contemporary Chinese painting to overcome the dilemma of patternization,showcasing the complex interplay between tradition and modernity,and art and craft,as well as the efforts and explorations of Chinese painters in the process of modernization.