华琳“推法”与汉斯·霍夫曼“推拉”理论比较

Comparison of Hua Lin's “Push Theory” and Hans Hofmann's “Push-Pull” Theory

尽管并不身处同一时代,清代山水画家华琳所提出的“推法”与美国抽象表现主义画家汉斯·霍夫曼的“推拉”理论,都是在强调“推”的动势,也都是为了形成画面上的纵深感或“远”,二者颇有相通之处。通过对理论的提出背景、内涵指向、画面的实现以及学说影响力四方面比较这两种说法的相近之处,并强调华琳在清代中后期提出“推法”的难能可贵。

Although not in the same era,the “push theory” put forward by the Qing Dynasty landscape painter Hua Lin and American abstract expressionist painter Hans Hofmann's theory of push and pull,both emphasized the momentum of “push” which aims to form a sense of depth or “distance” on the pictorial surface,so that they are quite similar to each other.By comparing the similarities between the two theories in terms of background,connotation,pictorial realization,and influence,we emphasize the preciousness of the “push theory” proposed by Hua Lin in the middle to late Qing Dynasty.