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传统书画鉴藏伦理观下的伪作及作伪者

Counterfeit Works and Their Counterfeiters Under the Ethical View of Traditional Calligraphy and Painting Collection
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摘要 传统书画鉴藏家之所以对伪作及其作伪者持有包容心,其一是因鉴藏之事属于“雅事”,是鉴赏力和审美力的角逐,并不完全遵循商业买卖的伦理;其二是传统鉴藏家普遍擅长书画创作,易将书画审美价值置于第一位,而非真伪之客观性;其三是对审美价值的认可并不寄托于某种“恒存”或“原创性”的实体之上,而是着眼于审美价值本身。 The reason why traditional collectors of calligraphy and painting have a tolerant attitude towards counterfeits and their counterfeiters is twofold:firstly,the act of collecting works belongs to the category of“elegant things”,which is a competition between appreciation and aesthetics,and does not fully follow the ethics of commercial transactions;Secondly,traditional collectors are generally skilled in creating calligraphy and painting,and tend to prioritize the aesthetic value of calligraphy and painting over the objectivity of authenticity;The third point is that the recognition of aesthetic value is not based on a certain entity of“permanence”or“originality”,but rather on the aesthetic value itself.
作者 牛国栋 NIU Guodong(Academy of Fine Art&Design,Northwest Normal University,Lanzhou 730070,China)
出处 《美育学刊》 2024年第4期64-70,共7页 Journal of Aesthetic Education
基金 国家社会科学基金艺术学西部项目“中国传统书画鉴藏心理机制研究:以马远绘画鉴藏为例”(20EF206)的阶段性成果。
关键词 书画鉴藏 伪作 作伪者 鉴藏伦理 calligraphy and painting collection fake work counterfeiters ethics of calligraphy and painting collection
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