当代水墨的意象表达——我的创作思考

Image Expression in Contemporary Ink Painting: My Thoughts on Creation

20世纪以来,中国人物画在近百年的发展中,借助西方造型观念和手段,对中国的传统笔墨精神进行了变革与发展。现代水墨人物画的形态已从一个民族绘画的属性融入多元的世界艺术群体之中,具足了当代水墨观念的思想意境和独立表达的审美取向,从古典文人绘画的写意精神走出高堂,走入生活,关注人与自然,关注当下社会的发展与变革,与时代同行、与世界并行,在传统水墨语境的母体上,现代水墨人物画的语境形式与文化内涵,充分扩张了其绘画属性、精神指向和民族标志。

In its development since the 20th Century, Chinese figure painting, with the help of western modeling concepts and methods,has changed and developed the traditional spirits of Chinese ink painting. Modern ink figure painting, as a national painting, has integrated into the diverse art group in the world, and is now equipped with the conception of contemporary ink painting and the aesthetic orientation of independent expression. It has developed from a classical literati painting with freehand spirits into a kind of painting that focuses on life, man and nature, and today's social development and transformation, to keep pace with the times and the world. On the basis of traditional ink painting, the context and cultural meaning of modern ink figure painting have fully expanded its nature, spiritual direction and national symbol.