唐代长沙窑陶瓷形制规律探究

Study on the Law of Modeling Design in Changsha Kiln Ceramics during the Tang Dynasty

立足于长沙窑陶瓷遗存,从设计学角度,通过对比研究、图像分析等方法,对长沙窑陶瓷造型的来源、流变进行梳理,得出长沙窑陶瓷造型从“以仿为基”到“仿创并兼,多元新型”的纵向发展历程。再通过个案研究的方法重点论证长沙窑陶瓷造型的三个衍生途径:增减构件、局部变异和意象模拟,以此丰富我国传统民间造物规律,也为当代日用陶瓷设计提供平和质朴的参考。

This study is based on the archaeological remains of Changsha kiln ceramics.From a design perspective,through comparative research,image analysis,and other methods,it analyzes the origins and evolution of Changsha kiln ceramics modeling.The study concluded that a longitudinal developmental trajectory from“imitation as the foundation”to“innovative imitation with integration,featuring diverse new types”.Then,through a case study,it focuses on demonstrating three derivative pathways of Changsha kiln ceramic modeling:addition or subtraction of components,local variations,and simulation of imagery.This enriches the traditional folk crafting patterns in China and provides a gentle and unadorned guide for contemporary daily ceramic design.