摘要
露易丝·格吕克的写作向度并不局限于自身个人经历,她将作为人类整体的身份焦虑与艺术情感的诗性表达有机结合在一起,深度剖析人类中心主义思想的内在肌质,试图在人与动物之间构建一种非暴力、非二元化的关系。从伴侣物种到引领者和拯救者,格吕克诗作中的动物形象及地位的嬗变体现出她在不同创作阶段所做的诗学思考。这是格吕克对探索人类世语境下的诗学新形态、终止人类学机器做出的一次有益尝试,其社会功用、生态学的显性价值值得我们注意和肯定。
The writing dimension of Louise Glick is not limited to her own personal experience.She organically combines the identity anxiety of human beings with the poetic expression of artistic emotion,deeply analyzes the internal construction of anthropocentrism,and attempts to build a non-violent and non-dualistic relationship between humans and animals.The evolution of the images and status of animals in Glick's poems,from companion species to leader and rescuer of humankind,reflects her poetic thinking in different stages of creation.This is a thoughtful attempt by Gluck to explore a new form of poetics in the context of the Anthropocene,and to terminate the anthropological machine,the social and ecological significance of which deserves critical attention.
作者
郑春晓
Zheng Chunxiao(the School of English and International Studies,Beijing Foreign Studies University,Beijing,China(100081))
出处
《当代外国文学》
CSSCI
北大核心
2024年第2期97-103,共7页
Contemporary Foreign Literature
基金
国家社科基金重大项目“21世纪英语文学纪事与研究”(23&ZD304)
国家资助博士后研究人员计划(ZGC20230288)的阶段性成果。
