异文形态与择调观念:《玉京秋》清代接受考论

Forms of Variant Texts and the Choice of Tune:On the Reception of Yujingqiu in the Qing Dynasty

《玉京秋》为宋末周密的自创调,由于周密词集版本较多以及清代词选、词律、词谱中的《玉京秋》多有异文,以至于清人所填《玉京秋》多有不同,并且发生争议。这一历史过程,涉及周密词集在明清时期的传播、相关词选与律谱间的交互影响、清人填词创作时的文本依据等诸多问题,而不同文献所载《玉京秋》之间的异文、清人创作《玉京秋》时的不同体制以及对待《词律》与《钦定词谱》、《草窗词》与《蘋洲渔笛谱》的不同态度、不同选择,也为考察清人的填词过程、词体观念以及《玉京秋》的经典化过程提供了很好的观察视角。

Yujingqiu玉京秋is a self-created tune by Zhou Mi周密in the late Song Dynasty.Because of the multiple versions of Zhou’s ci词collections and the existence of many variant texts in the Qing Dynasty’s selections,rhymes and tunes,there were numerous differences in the Qing Dynasty’s creation of Yujingqiu,leading to controversies.This historical process involves many issues,such as the dissemination of Zhou Mi’s ci-poetry collections during the Ming and Qing dynasties,the interactive influences between relevant selections and metrical rules,and the textual basis for Qing poets’lyrical creation.The discrepancies among different sources of Yujingqiu,the diverse systems employed by Qing poets in its creation and their varying attitudes towards and choices from Cilü词律,Qinding cipu钦定词谱,Caochuangci草窗词and Pingzhou yudipu蘋洲渔笛谱also provide a valuable perspective for examining the Qing poets’lyric composition process,their conception of ci-styles and the canonization of Yujingqiu.