选本编纂与中国红色诗歌的经典化问题

The Anthology Compilation and the Canonization of Chinese Red Poetry

选本编纂是红色诗歌经典化机制中的基石,其意义并不在“入史”之下。在红色诗歌经典化进程中需要正确处理好内部机制与外部机制的关系,要在“文学场”与“权力场”的场域融合中审视红色诗歌的经典化问题。检视中国现当代诗歌选本编纂史,无论是综合性总集与专门性总集,还是通代性总集与断代性总集的编选,都存在着文学史性选本与文学批评性选本的差异。其中虽然也存在“去经典化”的选本,但整体上大都推动了中国红色诗歌的经典化与再经典化进程。尤其是在中国现当代旧体诗词选本编纂中,有关红色诗人群体选本、社团选本、报刊选本的编纂为中国红色诗歌经典化做出了独特贡献。红色诗歌选本编纂是“红色选学”的重要组成部分,其价值不可低估。

The compilation of anthologies represents the cornerstone of the canonization mechanism of red poetry.It is essential to correctly address the relationship between internal and external mechanisms and to survey the canonization of red poetry in the context of the integration of"literary field"and"power field".Examining the compilation history of modern and contemporary Chinese poetry anthologies,there are differences between literary historical anthologies and literary critical anthologies.While some may"DE-canonize",but most of them has generally promoted the canonization and re-canonization of Chinese red poetry.Especially in the compilation of anthologies of modern and contemporary Chinese old-style poetry,the compilation of red poets group anthologies,association anthologies,and newspaper and periodical anthologies have made unique contributions to the canonization of Chinese red poetry.