摘要
文章主要探讨了近代女性肚兜的装饰艺术。通过案例分析和文献研究,文章从形制、材质、纹样、色彩及布局等多个方面,详细剖析了其精巧细致的装饰特点。在造型上,肚兜利用独特的裁剪和分割手法,制成多种形制;在材质上,以丝和棉质面料为底,辅以金、银、珠串、花边等饰物;在配色上,色彩或鲜艳或淡雅,传递出浓厚的情感色彩;在布局上,虚实结合的特点使得肚兜呈现出居中式、上下式、满地式、角隅式等四种形式;在纹样上,则创作出多种主题纹样,表达了女性对生活、爱情及子嗣的美好祈愿。肚兜的装饰艺术不仅体现了清代精致奢华的装饰趣味和细腻精湛的手工技艺,更凝聚了女性善良淳朴的美好祈愿,以及优秀的传统服饰技艺和文化。
The paper primarily delves into the decorative artistry of modern women's bellybands.Through case studies and literary research,the article meticulously dissects their intricate decorative characteristics,encompassing aspects such as form,material,patterns,colors,and arrangement.In terms of form,bellybands employ distinctive cutting and segmentation techniques,resulting in a variety of shapes.Materials predominantly feature silk and cotton fabrics adorned with embellishments like gold,silver,pearls,and lace.The color palette ranges from vivid to subdued,conveying deep emotional tones.Layouts combine elements of solidity and void,presenting four main styles:central,upper-lower,scattered,and cornered.Various thematic patterns express women's aspirations for life,love,and progeny.The decorative art of bellybands not only embodies the refined opulence of Qing dynasty aesthetics and exquisite craftsmanship but also encapsulates women's virtuous and sincere wishes,alongside exceptional traditional attire techniques and cultural heritage.
作者
柳小芳
LIU Xiaofang(Art College,Jinling Institute of Technology,Nanjing 211199,China)
出处
《西部皮革》
2024年第12期53-55,共3页
West Leather
基金
2024年度江苏高校哲学社会科学研究一般项目“新中国成立以来苏南地区女性服饰的变迁及数字活化研究”(2024SJYB0423)。
关键词
近代
肚兜
装饰艺术
服饰文化
modern era
bellybands
decorative art
costume culture