《诗学梯航》诗学研究

Research on Poetics in The Stairway of Poetics

《诗学梯航》是明代一部诗法著作,其体例完备、论述细致,基本涉及了诗歌创作的各个方面。作者群受台阁文学背景影响,《诗学梯航》具有明显的儒家文学倾向,基本诗学立场是崇唐抑宋,体现出明初儒士对于历代诗歌史的构建逻辑。《诗学梯航》反映出明代初期诗坛习诗的路径和取式,在品藻方面,侧重划分历代同类诗风而不是分析内在差异;在命题观上,又以“纯”的范畴要求命题准确明晰;在学诗态度上,主张细细推敲、久久为功。

The Stairway of Poetics,a poetic work with complete styles and detailed discussion in the Ming Dynasty,involves all aspects of poetry creation.Influenced by Taige literature,the authors held the basic poetic position to worship poetics of the Tang Dynasty and suppress poetics of the Song Dynasty.Thus The Stairway of Poetics reflects the Confucian scholars’logic in construction of poetry history in the early Ming Dynasty and presents obvious tendency towards Confucian literary.The Stairway of Poetics embodies the paths and patterns of learning poetry from three aspects.In terms of evaluation,the authors focused on the classification in similar poetic styles in the past dynasties rather than the analysis on internal differences.In terms of outlook of proposition,the authors required accurate propositions within the category of“purity”.In terms of attitude towards learning poetry,the authors advocated careful scrutiny and long-term persistence.