《第二十条》:现实题材电影多模态观照下的色彩隐喻

Article 20:Color Metaphor in Realistic Films under a Multimodal Perspective

色彩在视觉艺术中占据着核心地位,它不仅能够塑造作品的风格特征,还能够营造出特定的情感氛围。在当代影视作品的制作过程中,如何巧妙地利用色彩的特性和内涵,以实现作品在形式与精神上的和谐统一。本文通过多模态隐喻的分析方法,探析张艺谋现实主义影片《第二十条》,阐发色彩多模态隐喻与其深刻地塑造人物形象、构建时空背景、渲染情感氛围、提升主题思想以及传播民族文化,从而实现作品的艺术价值和色彩美学表达。

Color plays a central role in the visual arts,not only shaping the stylistic characteristics of a work,but also creating a specific emotional atmosphere.In the production process of contemporary film and television works,how to skillfully use the characteristics and connotations of color to achieve the harmony and unity of the form and spirit of the work.Through the analysis method of multimodal metaphor,this paper explores Zhang Yimou's realistic film"Article 20",and explains how multimodal metaphor of color can profoundly shape the character image,construct the background of time and space,render the emotional atmosphere,enhance the theme and spread the national culture,so as to realize the artistic value and color aesthetic expression of the work.