交汇·互融·共生——《丝竹小谱》曲调的源与流

Convergence,Integration,and Symbiosis:The Origins and Flow of Melodies in Sizhu Xiaopu

本文聚焦迄今所见最早的江南丝竹工尺乐谱《丝竹小谱》,选择与之相关的清代、民国时期流行于江南地区的乐谱进行版本互证,从辑录曲目的原生分类及曲调旋律的流变状态可知丝竹谱本编撰的“经典化”思维和江南丝竹与其他江南乐种的具体交融状态,意在从谱本出发探知江南民间音乐的互融特征。

This paper focuses on the earliest known Gongche notation score for Jiangnan Sizhu(silk and bamboo music),Sizhu Xiaopu.By comparing it with related scores from the Qing Dynasty and the Republic of China that were popular in the Jiangnan region,the study examines the original classification of collected melodies and the evolution of their tunes.This reveals the"classicization"mindset in the compilation of Sizhu scores and the specific integration of Jiangnan Sizhu with other Jiangnan musical genres.The aim is to explore the characteristics of mutual integration in Jiangnan folk music based on these scores.