赣籍音乐家程懋筠乐事补遗考述(1900-1957)

The Study on the Addendum to Musical Activities of Jiangxi Native Musician Cheng Maoyun(1900-1957)

程懋筠系民国时期颇具代表性的赣籍音乐家,由于历史原因一直被尘封隐藏。直到2007年之后学界才对这位“边缘”和“另册”的音乐家给予了重新认识与评价。但随着新史料的挖掘梳理,亦对侧重拘囿于“程懋筠江西推行音乐教育委员会活动”先行研究之外乐事,带来了新的扩充与启示。所以本文在观照先行文献同时,以不复赘述、查缺补漏、溯本求源、匡谬补正的方式,不仅对“程懋筠音教会活动”之外乐事展开深入细致的补遗考述,且亦对先行研究中些许谬误待考内容加以实证纠正,以期勾勒还原出赣籍音乐家程懋筠在历史时代困境漩涡中,百折不挠苦苦求索,坚守民众振兴乐教及乐教救亡的活动经历与历史贡献。

Cheng Maoyun,a prominent Jiangxi musician during the Republic of China period,was obscured from historical recognition after the founding of the People's Republic of China for various reasons.It was not until 2007 that academia began to reassess and acknowledge this"marginalized"and"unregistered"musician.The discovery and analysis of new historical materials have brought about new insights and expansions beyond the previously limited focus on his activities with the Jiangxi Music Education Promotion Committee.Consequently,this article aims to avoid redundancy,fill gaps,and address omissions found in prior literature by reviewing these new materials.By tracing original sources and providing additional context,this paper seeks to comprehensively outline and restore the dedicated perseverance,experiences,and historical contributions of Jiangxi musician Cheng Maoyun to the rejuvenation of music education during a period of historical adversity.