连锁整合下的叙事诗“自我”视角转换

Cascading blending of narrating-self and experiencing-self's focalization shifts in narrative poems

视角转换研究在小说中比较常见,但叙事诗的视角转换尚未引起关注。叙事诗中存在第一人称“叙述自我”外视角转向“体验自我”内视角的视角转换方式。这种视角转换可通过最新的连锁整合网络模式进行认知解读,即读者从叙事诗篇章整体上把握叙事诗的视角转换信息及其语言引导标识,把外视角、内视角作为视角心理输入空间,在同一心理网内优选关键关系网线进行跨心理空间的映射整合,或者把外视角、内视角分别作为不同的心理网来参与跨心理网的连锁整合。以“自我”视角转换方式来展开的叙事诗,其诗意解读背后往往蕴含跨视角心理空间、跨视角心理网相结合的多波次接龙式、分合式连锁整合过程。

The study on focalization shifts is relatively common in novels,but is not yet seen in the investigation of narrative poems.In the latter genre,there exists one pattern of focalization shift,i.e.,the shift from narrating-self's focalization to the experiencing-self's in first-person narration.This shift can be cognitively interpreted with the latest cascading blending web model,i.e.,the reader globally recognizes information of focalization shifts as well as their language markers,considers outer or inner focalizations as mental input spaces in the same mental web and completes the across-space mapping and blending by optimizing vital relations,or considers outer or inner focalizations as mental webs to be blended between webs.Interpretation of narrative poems with focalization shifts can be well described in multiple“concatenation or convergence”cascading blending processes of integrating spaces and webs.