面部经验的观念生产:重读巴拉兹·贝拉的电影微相学

The Conceptual Production of Facial Experience:Rereading Bela Balazss Cinematic Microphysiogonomy

电影中脸传达的复杂意味使巴拉兹·贝拉看到了机械复制技术建构有机生命感知的可能性。巴拉兹的电影微相学需要放置在“脸”的前现代经验、电影的形式表征与主体的审美精神交织的复杂语境中去阐释。巴拉兹认为,作为彰显人类生命活力的“无意识遗产”,电影中的人脸反映了“祖先的灵魂”,体现了一种视觉文化表达的新形态,具有促成人类精神发展的潜力。脸部特写使观众感知到的“气氛”是理解电影微相学的关键。当下,电影中人脸的生产由“机械复制”向“数字生成”转变,创作者不应仅强调脸与现实时空的联系,还应看到脸对现实的提喻与审美化作用,重塑“可见”的面孔的“不可说”性。

The complex meaning conveyed by the face in the movie opened Balazs Bella's eyes to the possibility of con-structing an organic perception of life in the movie.Balaz's cinematic microphysiogonomy needs to be interpreted in the complex context of the pre modern experience of the"face",the interweaving of the formal representation of the mov-ie,and the aesthetic spirit of the subject.Balaz believes.as an unconscious heritage that showcases the vitality of hu-man life,the face reflects the soul of ancestors,making it possible to explore new forms of expression and spiritual development for humanity.The"atmosphere"generated by the subject's attention to the facial micro movement in the close-up shot is the key to understanding cinematic microphysiogonomy.At present,in the transformation of movie faces from"mechanical replication"to"digital generation",people should not only see the materiality of the face and construct a sensory world that is indistinguishable from reality,but also pay attention to aesthetic cognition based on sensory experience,reshaping the"indescribable"nature of the"visible"face.