翁方綱書學思想探賾--以論書詩爲中心

An Enquiry into Weng Fanggang's Calligraphic Thought and Theory through the Prism of Discourses on Poetryabout Calligraphy

翁方綱學識淵博,擅長考證,精于鑒賞,在文學、書法等多個領域均取得了非凡的成就,其論書詩更體現出詩歌與書法的完美結合。翁方綱詩作中與書法相關者極夥,多是金石的考據勘證、拓本的優善考辨、碑帖中字數的遺存考證、拓本鑒賞等。這些論書詩多爲七言古詩,按内容可分爲書事類、書迹類、書論類等,體現着翁方綱豐富的學書理念,并對後世産生了重要的影響。

Weng Fanggang,renowned for his profound erudition and expertise in textual research,exhibits remarkable proficiency in literary appreciation,calligraphy and various other domains.His discourse on calligraphy and poetry epitomizes the seamless integration of poetry and calligraphy.Weng's poetic compositions often intertwine with calligraphic themes,primarily focusing on textual criticism of inscriptions on metal and stone,meticulous examination of rubbings,verification of the textual content of ancient inscriptions and appreciation of ink rubbing artworks.Predominantly comprising heptasyllabic ancient-style poems,these discourses can be categorized into themes such as matters pertaining to calligraphy,discussions of calligraphic works and explication of calligraphic theory,and thus manifest Weng Fanggang's extensive scholarly insights into calligraphy.His contributions have significantly influenced subsequent generations。